By the end, it was a little much; still, seeing the Looney Tunes doing their thing again almost made the onslaught of Warner IP worth it.

How it plays will depend on how you feel about style over substance amid straight-faced ridiculousness. I found it to be pretty fun.

It is a long, dull slog through cliché after cliché, with obvious setups, poorly executed payoffs and loud noises in place of tension.

No Sudden Move is a smart, crafty, entertaining thriller with an excellent cast.

Even though it doesn’t ultimately work, this is entertaining and suspenseful, with an intriguing take on its subject matter.

When I think of its pieces, Good on Paper seems like an easy recommendation. Yet the whole isn’t as good as the sum of its best parts.

While it certainly belongs on the lower end of the studio’s filmography, it is still amusing and generally enjoyable.

It is hard for me to think of a word that describes In the Heights better than “joyous.” Maybe “celebratory?”

This is the rare case of a thriller where I was less interested in the character moments and more interested in the action.

It is sweet and funny, with a charming central relationship and a message it delivers organically.