Only a director of Francis Ford Coppola’s considerable ability could make something this disjointed and ridiculous so dull.

There is a detachment to the protagonist that extends to Ferrari as a whole.

Ridley Scott may be known more for action and sci-fi, but he proves that he can make an epic of ideas, rather than merely one of spectacle.

It defies easy synopsis. It is about art and performance, reality and artificiality. It is one of the best movies of the year.

There is enough material here for at least two movies, serving to blunt the impact of several of the revelations. However, this is how they

I certainly had fun with The Dead Don’t Die, though it left me feeling a tiny bit like Jarmusch was punching below his weight. However, for

Spike Lee does not approach bigotry from only one direction. He attacks it on all sides. He goes after those who perpetrate it as well as th

This film plays with familiar tropes from the series by introducing them and then deconstructing them. In The Force Awakens they reintroduce

This is not one of those comedies where the jokes are prioritized over the characterizations or story. The humor comes from the characters w