The sum of its parts may be greater than its whole. Still, this is an enjoyably low-key genre entry that values character over twists.

It is touching, thought-provoking and, if this does prove to be the final cinematic treat we receive from this legend, a worthy goodbye.

A creative, fairly funny, metaphor for what it means to go viral.

For all of its strengths, ultimately, it is bloated, empty and dull.

Emerald Fennell’s control of tone and ability to mix Oliver’s drama with the absurdity of the filthy rich is what makes Saltburn effective.

It is a serviceable feel-good family comedy just in time for Thanksgiving. It’s okay, if pretty forgettable.

It is smart, likable, funny and lifted by a trio of great performances.

Uncomplicated, simple, enjoyable, engaging, heartwarming and just plain likable, with moments of true beauty.

A bit of a mess; unscary, with a muddled plot and inconsistent tone.

Scorsese has given this forgotten piece of history the respect it deserves. It is another remarkable achievement in a career full of them.