Osgood Perkins effectively generates tension in individual scenes, but can’t quite sustain it throughout.

A rom-com way too light on rom and too restrained with its com.

This extremely dark comedy anthology is definitely a return to writer/director Yorgos Lanthimos' more disturbing form.

None of the three movies in this trilogy may reach greatness on their own, however, this is a fantastic total package.

It doesn’t always hit its mark, but Daddio isn’t boring.

This isn’t about acting; it is about taking a step forward, when that is the most difficult thing in the world. This is a beautiful story.

Thelma works so well because Josh Margolin undoubtedly loves this character and allows June Squibb to make her three-dimensional.

The classic era of Pixar, where everything they made was gold, is probably gone for good. However, they still make solid entertainment.

The movie itself isn’t particularly scary, but the setup, unsettling location and pacing went a long way in keeping my attention.

The Dead Don’t Hurt is clearly the work of a filmmaker getting to make what he wanted. The result is admirable, if generally just okay.