Over-the-top Cage is the best Cage. Massive Talent is at its best when it leans into the goofiness of its concept.

It is about nothing less than the joy to be found in an ordinary life. Here is a word to describe it: delightful.

Turning Red may not quite be top shelf Pixar, but it is a pretty good example of what they do better than everybody else.

The formula is fine, the cast is game, yet the movie isn’t very funny.

While still flawed, The Suicide Squad is a huge improvement. It knows what it wants to be and has fun with its premise.

By the end, it was a little much; still, seeing the Looney Tunes doing their thing again almost made the onslaught of Warner IP worth it.

When I think of its pieces, Good on Paper seems like an easy recommendation. Yet the whole isn’t as good as the sum of its best parts.

While it certainly belongs on the lower end of the studio’s filmography, it is still amusing and generally enjoyable.

It is sweet and funny, with a charming central relationship and a message it delivers organically.

While I didn’t laugh much, the concept is fairly well done, even if the movie as a whole isn't good enough to recommend.